"Food doesn’t taste better or worse when documented by Instagram. Laughter is as genuine over Skype as it would be sharing a sofa. Pay attention. Take in nature, hold someone’s hand, read a book. But don’t ever apologize for snapping a photo of a sunrise after a hike, or blogging about the excitement of having a crush, or updating your goodreads account. All of these things are good and should be celebrated. Smile at strangers on the sidewalk and like your friends’ selfies. It’s all good for the human spirit."
The more he talks about this upcoming season and the stuff he won’t put up with, the more I’m starting to believe he killed Steven Moffat and keeps telling everyone he’s on vacation while writing all his episodes himself.
Femslash has a completely different ideology, because it’s almost exclusively written and consumed by the community it portrays. Unlike a straight girl writing about two boys having sex (and I guarantee that they’re two conventionally attractive white boys whose female love interests have been deemed either worthy of death or asexual by the fandom), femslash is written by those whose identities and personal narratives are reflected in the stories themselves. Maybe the writer of that erotic scene hasn’t had sex with a girl yet, but damn, she has thought about it a lot. That queer author has two girls fall in love with each other in her story even if they’re straight in the original work because two girls falling in love means something to her and to so many people like her, and it’s important that she sees herself in a work of media whose canon forgets she exists. One of the great frustrations of LGBTQ media is the fact that so little of our representations end up coming from LGBTQ-identified creators, and thus we see inaccurate portrayals with limited diversity. Femslash exists because we were sick of being told we didn’t exist, so we wrote ourselves into their stories.
—Kate from Autostraddle advocates for more ladies loving ladies in fanfiction